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Metal Print : CRUIKSHANK: CARTOON, 1832. Source of the Southwark Water Works, or, Salus Populi Suprema Lex

CRUIKSHANK: CARTOON, 1832. Source of the Southwark Water Works, or, Salus Populi Suprema Lex



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CRUIKSHANK: CARTOON, 1832. Source of the Southwark Water Works, or, Salus Populi Suprema Lex

CRUIKSHANK: CARTOON, 1832.
Source of the Southwark Water Works, or, Salus Populi Suprema Lex. Cartoon satirizing the owner of the Southwark Water Works, John Edwards, notorious for supplying polluted water from the Thames River to the city of London. Etching by George Cruikshank, 1832

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12417672

1832 Caricature Chalice Citizen Cruikshank Edwards Environmental Etching George Industrial Revolution Industry London Owner Political Pollution Satire Southwark Thames River Trident Water Salus Water Works


10"x8" (25x20cm) Table Top Metal Print

Bring a piece of historical satire into your home with our Media Storehouse Metal Print featuring the iconic CRUIKSHANK: CARTOON, 1832. This captivating artwork, sourced from The Granger Collection through Granger Art on Demand, satirizes John Edwards, the owner of the Southwark Water Works, in a witty and thought-provoking cartoon titled "Salus Populi Suprema Lex." Each Metal Print is expertly crafted with vibrant colors and sharp details, ensuring a stunning and long-lasting addition to your decor. Elevate your space with this unique and intriguing piece of art history.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Granger Art on Demand > World History

> Architecture > Industrial

> Arts > Artists > C > George Cruikshank

> Arts > Artists > E > George Edwards

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Boroughs > Southwark

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > River Thames

> Historic > Industrial revolution > Industrial cities

> Historic > Industrial revolution

> Popular Themes > Politics


EDITORS COMMENTS
This print showcases a satirical cartoon by George Cruikshank from 1832, titled "Source of the Southwark Water Works, or, Salus Populi Suprema Lex". The cartoon humorously criticizes John Edwards, the owner of the Southwark Water Works in London during the early years of the Industrial Revolution. Edwards gained notoriety for providing polluted water from the Thames River to the city. In this etching, Cruikshank masterfully captures both political and environmental themes. A citizen holding a trident stands beside a chalice representing polluted water, symbolizing Edwards' disregard for public health. The caricatured figure of Edwards himself is depicted as an Englishman with exaggerated features and industrial elements surrounding him. Through his artistry, Cruikshank highlights the detrimental effects of pollution on society while also criticizing those who prioritize profit over public welfare. This thought-provoking piece serves as a reminder of our responsibility to protect our environment and ensure access to clean resources. The Granger Collection has preserved this significant artwork that reflects an important chapter in London's history. As we admire this print today, let us remember its historical context and appreciate how art can shed light on social issues that continue to resonate with us centuries later.

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