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Mouse Mat : Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
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Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790
Heritage Images features heritage image collections
Media ID 19987933
© Heritage Art/Heritage Images
Devil Hogarth Hogarth William John Milton Livesay Livesay Richard Livesey Lucifer Lyvesey Milton Milton John Monster Paradise Lost Richard Richard Livesay Rowlandson Rowlandson Thomas Satan Sepia Skeleton The Devil Thomas Rowlandson W Hogarth William Hogarth Allegorical Figure Nakedness
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Thomas Rowlandson's "Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790". Created in the 18th century by William Hogarth and Richard Livesay, this etching brings to life John Milton's epic poem "Paradise Lost" with its allegorical figures. In this haunting image, we see Satan depicted as a monstrous creature. His nakedness symbolizes his vulnerability and defiance against divine authority. Sin, portrayed as a female figure with skeletal features, stands beside him. Together they represent the destructive forces that lead humanity astray. Death looms ominously in the background, reminding us of our mortality and the consequences of sin. The sepia tones add an eerie atmosphere to this scene from British literature. Rowlandson's artistic interpretation beautifully captures Milton's complex themes of temptation, rebellion, and redemption. Through his masterful use of lines and shading techniques, he conveys a sense of drama that draws viewers into this dark world. Displayed at The Metropolitan Museum of Art in New York City, this print serves as a testament to the enduring power of art to bring literary works to life visually. It invites contemplation on mankind's eternal struggle between good and evil while showcasing Rowlandson's skill as an artist.
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