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China Clay - Escape
China Clay - Escape. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. This artwork (as seen here) was produced under the name Molly MacArthur, or F.M. MacArthur.
1922
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 18527800
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Clay Escape Florence Macarthur Molly Monochrome Monotone Woodcut 1922
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut print, titled "China Clay - Escape," is a beautiful example of the monotone works produced by the talented artist Molly MacArthur, also known as Florence Mary Anderson, during the 1920s. A departure from her earlier, highly-decorative fairy art, these oriental-style woodcuts showcase MacArthur's mastery of intricate lines and delicate shading. Created in 1922, "China Clay - Escape" is a visual feast for the eyes, with its rich textures and evocative imagery. The title suggests a sense of freedom and release, as if the figures in the print are escaping from the confines of their surroundings. The use of monochrome tones adds to the ethereal quality of the artwork, creating a dreamlike atmosphere that transports the viewer to another world. MacArthur's Oriental-inspired style is evident in the intricate patterns and delicate details of the figures and objects depicted in the print. The fluid lines and graceful curves of the figures contrast with the more angular, geometric shapes of the background, creating a sense of balance and harmony. This stunning work of art is a testament to MacArthur's artistic versatility and her ability to adapt to new styles and techniques. It is a must-have for any collector of vintage illustrations or those with an appreciation for the beauty and intricacy of woodcut prints.
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