Photographic Print : Cartoon, Wife & No Wife, or, A trip to the Continent
Photo Prints from Mary Evans Picture Library
Cartoon, Wife & No Wife, or, A trip to the Continent
Cartoon, Wife & No Wife, or, A trip to the Continent, by James Gillray. Showing the secret marriage believed to have taken place between the Prince of Wales (later George IV) and Mrs Fitzherbert. Also present are Lord North (asleep, left), Charles James Fox (giving away the bride) and Edmund Burke (performing the ceremony dressed as a Jesuit). Date: 1786
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14229722
© The Sharp Illustration Collection / Mary Evans Picture Library
1780s 1786 Asleep Bride Burke Ceremony Continent Criticism Edmund Fitzherbert Georgian Gillray Harsh Jesuit Satire Satirical Secret Sleeping Trip
10"x8" (25x20cm) Photo Print
Introducing the captivating "Cartoon, Wife & No Wife, or, A trip to the Continent" print from Media Storehouse's extensive collection, brought to you in partnership with Mary Evans Prints Online. This intriguing 18th-century cartoon by James Gillray offers a glimpse into the scandalous secret marriage rumors surrounding the future King George IV and Mrs. Fitzherbert. This exquisitely detailed print, a masterpiece of satirical art, is a must-have for history enthusiasts, art collectors, or anyone with an appreciation for the intrigue and drama of the past. With its vivid colors and intricate design, this print is not only a beautiful addition to your home or office but also a fascinating conversation starter. Bring a piece of history into your world with Media Storehouse's high-quality photographic prints, expertly reproduced to ensure the finest details and vibrant colors. Each print is carefully packaged and shipped to ensure safe delivery, making your shopping experience with us a delight. Add this iconic piece of art to your collection today and be a part of the captivating story of the past.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
A trip to the Continent
EDITORS COMMENTS
by James Gillray is a satirical print from 1786 that offers a scathing critique of the political and social scandal surrounding the Prince of Wales, later King George IV, and his secret marriage to Catherine "Kitty" Fitzherbert. The print depicts a clandestine wedding ceremony, with the Prince and Mrs. Fitzherbert standing before an altar, exchanging vows. The scene is presided over by Edmund Burke, dressed as a Jesuit priest, and Charles James Fox, who is giving the bride away. Lord North, the Prime Minister at the time, is shown dozing off in the background, oblivious to the events unfolding before him. The print's title, "A trip to the Continent," is a reference to the common belief that the couple had traveled to Europe to elope and marry in secret, as the Church of England would not sanction a marriage between a royal and a commoner. The print is a harsh criticism of the Prince's behavior and the hypocrisy of the political establishment. The inclusion of Edmund Burke, a prominent anti-Catholic figure, as a Jesuit priest is a particularly pointed jab at the Prince and his perceived lack of moral fiber. The print's satirical tone and intricate detail make it a fascinating window into the political and social climate of the late 18th century, and a testament to the power of cartoons as a form of political commentary. The print was produced during the 1780s, a time of great political upheaval in Britain, and reflects the public's fascination with the personal lives of the royal family and the political elite. Today, it remains an important historical artifact, shedding light on the complex web of power, politics, and scandal that defined the Georgian era.
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