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Photographic Print : Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe

Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe



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Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe

Mount Edgcumbe, Cornwall, seat of the Richard Edgcumbe, 2nd Earl of Edgcumbe. Castellated mansion with octagonal towers and French and English gardens. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of Arts, London, 1826

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23389084

© Florilegius

Ackermann Aristocracy Arts Cottage Edgcumbe Fountain Gendall Gentry Gordon Isle Landed Mount Orchard Regency Repository Rudolph Seat Stately Villa Wight Willoughby


15"x10" (37.5x25cm) Poster

Bring the timeless beauty of history into your home with our exquisite photographic print from the Media Storehouse collection. Featuring the stunning image of Mount Edgcumbe in Cornwall, the seat of the esteemed Richard Edgcumbe, 2nd Earl of Edgcumbe, this print showcases the castellated mansion's grandeur with its octagonal towers and meticulously designed French and English gardens. Transport yourself to a bygone era with this captivating piece of history, expertly captured by Mary Evans Picture Library from Mary Evans Prints Online.

High-quality poster prints are available in a range of sizes and are printed on 270 gsm semi-glossy silk finish poster paper. An affordable option for decorating any space, they are perfect for fixing straight onto walls. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 37.5cm x 23.5cm (14.8" x 9.3")

Estimated Product Size is 37.5cm x 25cm (14.8" x 9.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Architecture > Country > France

> Architecture > Country > Italy > Related Images

> Architecture > Styles > Regency Architecture

> Architecture > Towers > Related Images

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > E > Richard Evans

> Arts > Artists > G > John Gendall

> Europe > United Kingdom > England > Cornwall > Edgcumbe

> Europe > United Kingdom > England > Cornwall > Mount

> Europe > United Kingdom > England > Cornwall > Related Images


EDITORS COMMENTS
Mount Edgcumbe: The Seat of the 2nd Earl of Edgcumbe, Cornwall This exquisite handcoloured copperplate engraving, created by John Gendall and published by Rudolph Ackermann in 1826, offers a captivating glimpse into the grandeur of Mount Edgcumbe, the Cornwall residence of the 2nd Earl of Edgcumbe. The castellated mansion, with its distinctive octagonal towers, stands proudly against the backdrop of the Cornish countryside, its Italianate style villa a testament to the Regency era's appreciation for continental influences. The estate, situated on a tidal isle, is surrounded by lush French and English gardens, with an orchard and a charming cottage nestled among the greenery. The serene beauty of the gardens, with their fountains and winding paths, contrasts sharply with the imposing structure of the mansion, creating a harmonious blend of grandeur and tranquility. The scene is further enhanced by the presence of General Sir James Willoughby Gordon, who can be seen admiring the view from the terrace. Dressed in his military uniform, he adds an air of authority and prestige to the setting. The overall effect is one of opulence and refinement, a fitting representation of the aristocracy and landed gentry of the time. This engraving, taken from John Gendall's illustration, provides a tantalizing glimpse into the past, transporting us back to a time when grand country estates were the epitome of wealth and status.

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