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William Hogarth Collection (page 29)

William Hogarth was an English painter, engraver and satirist who lived from 1697 to 1764

1,584 items

Background imageWilliam Hogarth Collection: Benjamin Hoadly, (1676-1761), English clergyman, 19th century. Artist: B Holl

Benjamin Hoadly, (1676-1761), English clergyman, 19th century. Artist: B Holl
Benjamin Hoadly, (1676-1761), English clergyman. Bishop of Bangor, Hereford, Salisbury, and finally of Winchester. He is best known as the initiator of the Bangorian Controversy

Background imageWilliam Hogarth Collection: The Cock Pit, c1840, (1917). Artist: George Presbury

The Cock Pit, c1840, (1917). Artist: George Presbury
The Cock Pit, c1840. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albermarle Bertie (centre)

Background imageWilliam Hogarth Collection: Edward Cave, c. 1700s Artist: William Hogarth

Edward Cave, c. 1700s Artist: William Hogarth
Edward Cave from the Portrait by Hogarth. Engraving from Old and new London Volume 2 by Walter Thornbury.Published by Cassell, Petter and Galpin, 1878

Background imageWilliam Hogarth Collection: Garrick and his Wife, 1757 (19th century). Artist: H Bourne

Garrick and his Wife, 1757 (19th century). Artist: H Bourne
Garrick and his Wife, 1757 (19th century). David Garrick (1717-1779) was the most popular actor of his time. He was also a playwright

Background imageWilliam Hogarth Collection: Portrait of Captain Thomas Coram, 18th century (1844). Artist: WJ Linton

Portrait of Captain Thomas Coram, 18th century (1844). Artist: WJ Linton
Portrait of Captain Thomas Coram, 18th century (1844). The philanthropist Thomas Coram (1668-1751) founded the Foundling Hospital after seeing the plight of children left abandoned in the streets

Background imageWilliam Hogarth Collection: George Arnold, c1738-1740 (1958)

George Arnold, c1738-1740 (1958). Arnold was a successful merchant who built himself a substantial country house in Northamptonshire, Ashby Lodge

Background imageWilliam Hogarth Collection: Detail from Chairing the Member, by William Hogarth, 1755 (1956)

Detail from Chairing the Member, by William Hogarth, 1755 (1956). The painting, one of a series of four depicting the Oxfordshire parliamentary election of 1754

Background imageWilliam Hogarth Collection: The Bench, 18th century. Artist: Thomas Clerk

The Bench, 18th century. Artist: Thomas Clerk
The Bench, 18th century. Scene showing judges sitting in the Court of the Kings Bench, with Sir John Willes, Lord Chief Justice, in centre, and Henry Bathurst on his left, asleep

Background imageWilliam Hogarth Collection: Sleeping Congregation, 18th century. Artist: Thomas Clerk

Sleeping Congregation, 18th century. Artist: Thomas Clerk
Sleeping Congregation, 18th century. The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young girl

Background imageWilliam Hogarth Collection: The Fire-eater, 18th century. Artist: DB Pyet

The Fire-eater, 18th century. Artist: DB Pyet
The Fire-eater, 18th century

Background imageWilliam Hogarth Collection: Laughing Audience, 18th century. Artist: Thomas Clerk

Laughing Audience, 18th century. Artist: Thomas Clerk
Laughing Audience, 18th century. Cartoon showing the inside of a theatre and the reactions of different parts of the audience to the play

Background imageWilliam Hogarth Collection: The Bathos, 18th century. Artist: Thomas Clerk

The Bathos, 18th century. Artist: Thomas Clerk
The Bathos, 18th century. Time expiring, collapsed against a broken column, with the blade of his scythe snapped and his hour glass smashed, blowing out smoke from his broken pipe

Background imageWilliam Hogarth Collection: Paul Before Felix, 18th century. Artist: DB Pyet

Paul Before Felix, 18th century. Artist: DB Pyet
Paul Before Felix, 18th century. Paul, with his hands chained, stands before the governor Felix, defending himself. A Roman soldier to the left of Paul leans against his spear looking very bored

Background imageWilliam Hogarth Collection: John Wilkes, English politician, 1763 (1895)

John Wilkes, English politician, 1763 (1895). Wilkes is wearing a wig that Hogarth has fashioned into two horns. He holds a cap entitled liberty that Hogarth has positioned to make it look like a

Background imageWilliam Hogarth Collection: John Wilkes, English politician, 1762-1763 (1895)

John Wilkes, English politician, 1762-1763 (1895). Study for a cartoon Hogarth produced in 1763. Wilkes is wearing a wig that Hogarth has fashioned into two horns

Background imageWilliam Hogarth Collection: The Times, plate II, c1762 (1895)

The Times, plate II, c1762 (1895). Scene representing the aftermath of the Seven Years war, with a statue of King George III at the centre

Background imageWilliam Hogarth Collection: The Three Maries at the Tomb, 18th century (1910). Artist: William Hogarth

The Three Maries at the Tomb, 18th century (1910). Artist: William Hogarth
The Three Maries at the Tomb, 1910. One of the panels in the tryptiych painted as an alter piece for the church of St Mary, Redcliffe, Bristol. From The Connoisseur magazine (June 1910)

Background imageWilliam Hogarth Collection: Lady Thornhill, (1799)

Lady Thornhill, (1799). Later copy of a portrait of by Hogarth of his mother-in-law who would have been born in the late 17th century. Illustration from The Connoisseur, (November 1901)

Background imageWilliam Hogarth Collection: Advertisement for Mary and Ann Hogarths drapers shop, early-mid 18th century, (1901)

Advertisement for Mary and Ann Hogarths drapers shop, early-mid 18th century, (1901). The sisters of artist William Hogarth ran a shop selling fustians, dimity, Holland and flannel

Background imageWilliam Hogarth Collection: Canvassing for votes, 1757. Artist: William Hogarth

Canvassing for votes, 1757. Artist: William Hogarth
Canvassing for votes, 1757. Two country innkeepers, agents for their respective parties, are here dropping money into the hands of a rustic freeholder

Background imageWilliam Hogarth Collection: An election entertainment, 1755. Artist: William Hogarth

An election entertainment, 1755. Artist: William Hogarth
An election entertainment, 1755. An election treat given by the Whigs while the Tories parade outside. The two Whig candidates sit on the left of the scene, whilst others eat and drink

Background imageWilliam Hogarth Collection: George III of the United Kingdom, 1761. Artist: Charles Grignion

George III of the United Kingdom, 1761. Artist: Charles Grignion
George III of the United Kingdom, 1761

Background imageWilliam Hogarth Collection: Hogarths House, Chiswick, 1912. Artist: Frederick Adcock

Hogarths House, Chiswick, 1912. Artist: Frederick Adcock
Hogarths House, Chiswick, London, 1912. The home of English painter and engraver William Hogarth 1697-1764). The house, which was in a village when Hogarth lived here, is now part of London

Background imageWilliam Hogarth Collection: Bartholomew Close, Smithfield, London, 1912. Artist: Frederick Adcock

Bartholomew Close, Smithfield, London, 1912. Artist: Frederick Adcock
Bartholomew Close, Smithfield, London, 1912. English artist and engraver William Hogarth (1697-1764) was born here. Palmer s, a famous printing house, also had premises here in the 18th century

Background imageWilliam Hogarth Collection: Death of the Earl, plate V of Marriage a la mode, 1833. Artist: TE Nicholson

Death of the Earl, plate V of Marriage a la mode, 1833. Artist: TE Nicholson
Death of the Earl, plate V of Marriage a la mode, 1833. Early 19th century version of a scene from Hogarths Marriage a la mode of c1743

Background imageWilliam Hogarth Collection: Sigismonda, with the heart of her husband, 1833. Artist: TW Shaw

Sigismonda, with the heart of her husband, 1833. Artist: TW Shaw
Sigismonda, with the heart of her husband, 1833. Engraving after Hogarths Sigismunda Mourning over the Heart of Guiscardo of 1759, inspired by Boccaccios Decameron, written in the mid 14th century

Background imageWilliam Hogarth Collection: A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth

A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth
A Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

Background imageWilliam Hogarth Collection: A Rakes Progress - 3: The The Orgy, 1733. Artist: William Hogarth

A Rakes Progress - 3: The The Orgy, 1733. Artist: William Hogarth
A Rakes Progress - 3: The The Orgy, 1733. Tom Rakewell is in the Rose Tavern, on Drury Lane, London, being relieved of his pocket watch by two women

Background imageWilliam Hogarth Collection: View in St. Jamess Park Showing Rosamonds Pond, 1840, (1909). Artist: William Hogarth

View in St. Jamess Park Showing Rosamonds Pond, 1840, (1909). Artist: William Hogarth
View in St. Jamess Park Showing Rosamonds Pond, 1840. After a original work by William Hogarth (1697-1764) From The Connoisseur, Vol. XXIII by [Otto Limited, London, 1909]

Background imageWilliam Hogarth Collection: The tomb of William Hogarth at Chiswick, 1840

The tomb of William Hogarth at Chiswick, 1840. Monument to the artist William Hogarth (1697-1764). Illustration from Historical

Background imageWilliam Hogarth Collection: Weaving at Spitalfields, London, 1747 (1894)

Weaving at Spitalfields, London, 1747 (1894). From Hogarths Industry and Idleness series. An illustration from A Short History of the English People, by John Richard Green, illustrated edition

Background imageWilliam Hogarth Collection: The Battle of the Pictures, 19th century. Artist: William Hogarth

The Battle of the Pictures, 19th century. Artist: William Hogarth
The Battle of the Pictures, 19th century. A bidders ticket for Hogarths auction of 19 paintings. The building on the left is the auction house; the building on the right is Hogarths studio

Background imageWilliam Hogarth Collection: The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth

The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth
The Stage Coach or Country Inn Yard, 1747. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageWilliam Hogarth Collection: Morning (Four Times of the Day), 1738. Artist: William Hogarth

Morning (Four Times of the Day), 1738. Artist: William Hogarth
Morning (Four Times of the Day), 1738. Scene in Covent Garden, London, early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket

Background imageWilliam Hogarth Collection: The Lottery, 1721. Artist: William Hogarth

The Lottery, 1721. Artist: William Hogarth
The Lottery, 1721. A theatre stage upon which the allegorical figures of virtue and vice perform a production. This was Hogarths way of criticising the government for raising money by lottery

Background imageWilliam Hogarth Collection: A Satire on the South Sea Company, 1721. Artist: William Hogarth

A Satire on the South Sea Company, 1721. Artist: William Hogarth
A Satire on the South Sea Company, 1721. The South Sea Bubble (1711-1720), showing greed and speculation which preceded the bubble

Background imageWilliam Hogarth Collection: The Cock-pit, 1759. Artist: William Hogarth

The Cock-pit, 1759. Artist: William Hogarth
The Cock-pit, 1759. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albemarle Bertie (centre)

Background imageWilliam Hogarth Collection: Frontispiece to the artists catalogue, c1760s. Artist: Charles Grignion

Frontispiece to the artists catalogue, c1760s. Artist: Charles Grignion
Frontispiece to the artists catalogue, c1760s. Britannia waters Architecture, Painting and Sculpture with water from George IIIs monument

Background imageWilliam Hogarth Collection: Burlesque sur le burlesque, 1753. Artist: Paul Sandby

Burlesque sur le burlesque, 1753. Artist: Paul Sandby
Burlesque sur le burlesque avec privilege du roi December 1st, 1753. An art critic watches Hogarth painting a cherub pissing on the sparking chamber of a gun

Background imageWilliam Hogarth Collection: False Perspective, 1753. Artist: Luke Sullivan

False Perspective, 1753. Artist: Luke Sullivan
False Perspective, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageWilliam Hogarth Collection: The Battle of the Pictures, 1745. Artist: William Hogarth

The Battle of the Pictures, 1745. Artist: William Hogarth
The Battle of the Pictures, 1745. The bearer hereof is entitled (if he thinks proper) to be a bidder for Mr Hogarths pictures, which are to be sold on the last day of this month

Background imageWilliam Hogarth Collection: A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth
A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Illustration from Social Caricature in the Eighteenth Century

Background imageWilliam Hogarth Collection: Taste: The Gate of Burlington House, 1731. Artist: William Hogarth

Taste: The Gate of Burlington House, 1731. Artist: William Hogarth
Taste: The Gate of Burlington House, 1731. Contemplations upon a coronet. 1797. Illustration from Social Caricature in the Eighteenth Century

Background imageWilliam Hogarth Collection: Richs Glory: or his triumphant entry in Covent Garden, 1732. Artist: William Hogarth

Richs Glory: or his triumphant entry in Covent Garden, 1732. Artist: William Hogarth
Richs Glory: or his triumphant entry in Covent Garden, 1732. A procession marking John Richs entry into Covent Garden. On the right a carriage is being pulled by satyrs

Background imageWilliam Hogarth Collection: If musicks charms can hearts enthral, 1730. Artist: William Hogarth

If musicks charms can hearts enthral, 1730. Artist: William Hogarth
If musicks charms can hearts enthral, this consorts sure above em all. How sweet the sound where cats and bears, with brutish noise offend our ears, just so the foreign singers move

Background imageWilliam Hogarth Collection: Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth

Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth
Berenstat, Cuzzoni and Senesino c1725. The Italian opera singers Gaetano Berenstadt (c1687-1735), Francesca Cuzzoni Sandoni (1700-1770) and Francesco Bernardi

Background imageWilliam Hogarth Collection: Characters and Caricaturas, 1743. Artist: William Hogarth

Characters and Caricaturas, 1743. Artist: William Hogarth
Characters and Caricaturas, 1743. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageWilliam Hogarth Collection: A Committee of the House of Commons at the Fleet Street Prison, London, 1729 (c1905)

A Committee of the House of Commons at the Fleet Street Prison, London, 1729 (c1905). Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London, c1905)



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William Hogarth Collection

William Hogarth was an English painter, engraver and satirist who lived from 1697 to 1764. He is best known for his series of paintings and engravings that depict the moral decay of society in the 18th century. His works often featured popular themes such as drunkenness, prostitution, gambling and corruption in politics. Hogarth's art was highly influential in shaping public opinion on these issues during a time when Britain was undergoing significant social change. His use of satire and caricature helped to expose the hypocrisy and immorality of those in power while also entertaining audiences with his witty commentary on everyday life.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The William Hogarth collection from Media Storehouse is a stunning array of wall art and framed prints that showcase the works of one of Britain's most celebrated artists. Our collection features some of Hogarth's most popular themes, including his satirical depictions of 18th-century society, such as "A Rake's Progress" and "Marriage A-la-Mode." These prints are available in various sizes to suit any decor style, making them perfect for both homes and offices. Hogarth was known for his ability to capture the essence of everyday life through his intricate illustrations. His work often featured social commentary on issues like politics, morality, and class structure. The William Hogarth collection allows viewers to appreciate these timeless pieces in their own space. Whether you're an art enthusiast or simply looking for a unique way to decorate your walls, our collection offers something for everyone. With its high-quality printing and framing options, it's easy to see why Media Storehouse has become a go-to destination for those seeking beautiful artwork at affordable prices.
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What are William Hogarth (Popular Themes) art prints?

William Hogarth was an English painter and engraver who lived during the 18th century. His art prints are known for their satirical commentary on contemporary society, particularly in London. Some of his popular themes include the vices and virtues of humanity, social class, politics, and morality. Hogarth's most famous series of prints is "A Harlot's Progress," which depicts the tragic story of a young woman who falls into prostitution. Another notable series is "Marriage à-la-mode," which portrays the disastrous consequences of arranged marriages among wealthy families. In addition to these narrative works, Hogarth also created individual prints that tackled various issues such as crime, alcoholism, and corruption in government. His style was characterized by its realism and attention to detail. Today, William Hogarth's art prints remain popular among collectors and those interested in British history and culture. We offer a unique glimpse into life during the Georgian era while still resonating with modern audiences through their timeless themes.
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What William Hogarth (Popular Themes) art prints can I buy from Media Storehouse?

We offer a wide range of William Hogarth art prints that depict popular themes from the 18th century. Some of the most sought-after prints include "Gin Lane" and "Beer Street," which are part of his famous series entitled "The Harlot's Progress." These prints portray the negative effects of alcoholism on society, particularly among women. Other popular Hogarth prints available at Media Storehouse include "Marriage A-la-Mode," a satirical commentary on arranged marriages between wealthy families; "The Rake's Progress," which depicts the moral decline and eventual downfall of a young man who squanders his inheritance; and "Four Times of Day," a series that portrays different scenes in London during various times of day. Whether you're looking for social commentary, satire, or simply beautiful depictions of life in 18th-century England, we have an extensive collection of William Hogarth art prints to choose from.
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How do I buy William Hogarth (Popular Themes) art prints?

To buy William Hogarth art prints from Media Storehouse, you can browse our extensive collection of prints featuring the artist's popular themes. Once you have found a print that catches your eye, simply select the size and format you prefer and add it to your cart. We offer a range of sizes and formats for their prints, including posters, canvas wraps, framed prints, and more. You can choose the option that best suits your needs and budget. Once you have added all the items you wish to purchase to your cart, proceed to checkout where you will be prompted to enter your shipping information and payment details. After completing these steps, your order will be processed by Media Storehouse. Buying William Hogarth art prints from Media Storehouse is an easy process that allows you to enjoy high-quality reproductions of this renowned artist's work in your own home or office.
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How much do William Hogarth (Popular Themes) art prints cost?

William Hogarth art prints are available for purchase at Media Storehouse. The cost of these prints varies depending on the size, framing options, and other customization choices that you may make. However, it is important to note that We offer a wide range of affordable options for those interested in purchasing William Hogarth's popular theme art prints. The price of each print will depend on your specific requirements and preferences. You can choose from various sizes ranging from small to large, as well as different framing options such as black or white frames. Additionally, you can select whether you want your print to be mounted or unmounted. The cost of William Hogarth art prints at Media Storehouse is reasonable and accessible for anyone who wants to own a piece of this renowned artist's work.
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How will my William Hogarth (Popular Themes) art prints be delivered to me?

Your William Hogarth art prints will be delivered to you in a safe and secure manner by Media Storehouse. The company takes great care in packaging your prints so that they arrive at your doorstep undamaged. Your prints will be carefully rolled and placed inside a sturdy cardboard tube, which is then sealed with tape to prevent any moisture or dirt from entering the package. Media Storehouse uses reliable courier services for delivery, ensuring that your order reaches you on time and in excellent condition. You can track the progress of your shipment online using the tracking number provided by the company. Once you receive your William Hogarth art prints, it is recommended that you unroll them immediately and lay them flat to allow any creases or wrinkles to disappear naturally over time. With proper handling and care, these beautiful artworks will add character and charm to any room in your home or office for years to come.