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Poster Print : Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895



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Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895

3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895 by Morris & Company; (add.info.: Birmingham, Acocks Green, St Mary The Virgin, M&C, EBJ, John Henry Dearle, Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903), 1895); © Alastair Carew-Cox

Media ID 24783346

© Alastair Carew-Cox / Bridgeman Images

Bright Burne Jones Edward 1833 98 Burnes Jones Edward 1833 1898 Church Window Edward Burne Jones Edward Coley Burne Jones Gothic Revival Gothick Muralist Neo Gothic Painte Painted Glass Pre Raphaelism Pre Raphaelite Brotherhood Preraphaelite Sir Edward Burne Jones Sir Edward Coley Burne Jones Stained Glass Window Victorian Gothic C European Economic Community C European Union Daguerrotype Ecclesiastical Photography Art Pre Raphaelite


A4 (29.7 x 21cm) Poster Print

Step into the enchanting world of Birmingham's St Mary The Virgin, Morris & Co. with our stunning poster print from Media Storehouse. This exquisite piece showcases the overall view of the chancel, featuring the breathtaking alabaster reredos by Bridgman of Lichfield from 1903. Designed by Edward Burne-Jones and John Henry Dearle, this masterpiece is a testament to the rich artistic heritage of the city. Bring the beauty of Birmingham's historic architecture into your home or office with our high-quality poster print, perfect for adding a touch of timeless charm to any space.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Architecture - British Isles

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Morris & Company

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > B > Henry Bright

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Europe > United Kingdom > England > Birmingham > Area > Acocks Green

> Europe > United Kingdom > England > Birmingham > Related Images


EDITORS COMMENTS
This photograph captures the grandeur and beauty of St Mary The Virgin church in Acocks Green, Birmingham. Taken by Alastair Carew-Cox, it showcases the remarkable craftsmanship of Morris & Co. , particularly the collaboration between Edward Burne-Jones and John Henry Dearle. The overall view of the chancel is dominated by a stunning alabaster reredos created by Bridgman of Lichfield in 1903. This intricate piece adds a touch of elegance to the neo-gothic interior, with its colorful stained glass windows and ornate decorations. The image transports us back to the late 19th century when this Victorian masterpiece was at its prime. The pre-Raphaelite influence is evident in every detail, from the vibrant colors to the meticulous attention given to each element. It serves as a testament to Burne-Jones' skill as both a painter and an artist. Carew-Cox's photography perfectly captures not only the artistry but also the ambiance of this sacred space. The play of light through stained glass creates an ethereal atmosphere that invites contemplation and reflection. This photograph is more than just a visual representation; it encapsulates history, culture, and artistic expression. It reminds us of our rich heritage and how art can transcend time, leaving an indelible mark on generations to come.

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