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Punch cartoon: The Octopus of Romance and Reality (engraving)
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Punch cartoon: The Octopus of Romance and Reality (engraving)
6035039 Punch cartoon: The Octopus of Romance and Reality (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info.: Punch cartoon: The Octopus of Romance and Reality. Illustration for Punch, Volume 93, July - December 1887.); Look and Learn / George Collection
Media ID 22887690
© Look and Learn / George Collection / Bridgeman Images
Bake Baking Cook Cookery Cooking Craftswoman Cratsmanship Fabulous Animal Fantastic Animal Fantastic Creature Fictional Characters Gastronomer Gastronomy Handywork Monstrous Character Monstruous Octopus Punch Sailor Seafood Selling Tentacles Wonderful Character Caricatures Comics Craftsman Craftsmen Fictional Character Monster
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EDITORS COMMENTS
This engraving titled "Punch cartoon: The Octopus of Romance and Reality" by Edward Linley Sambourne takes us back to the Victorian era, where satire and humor thrived in popular publications like Punch magazine. Created in 1887, this satirical drawing offers a humorous commentary on the themes of romance, reality, and gastronomy. The image depicts a monstrous octopus with its tentacles wrapped around a ship, symbolizing the overpowering influence of romantic ideals on society. In an amusing twist, the octopus is portrayed as a German character selling seafood while attacking the ship. This clever juxtaposition reflects both British perceptions of Germans during that time period and their love for culinary delights. Sambourne's skillful craftsmanship shines through in his detailed depiction of each element within the scene. From the sailor desperately trying to fend off the creature's grasp to the intricate rendering of waves crashing against the ship's hull, every aspect contributes to creating an engaging visual narrative. As we observe this fantastic creature dominating over reality and romance alike, we are reminded not only of Sambourne's talent but also how art can serve as a vehicle for social critique. This piece serves as a testament to both historical context and artistic expression—a timeless reminder that even amidst chaos or absurdity, humor can be found if one knows where to look.
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