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Fine Art Print : Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

Mazeppa - 'Again He Urges on His Wild Career', satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)



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Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

7148292 Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving) by Doyle, John (H.B.) (1797-1868) (after); Private Collection; (add.info.: Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn

Media ID 24756866

© Look and Learn / Bridgeman Images

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20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of history with our exquisite fine art print of "Mazeppa - 'Again He Urges on His Wild Career'" by Bridgeman Images. This satirical engraving, created in 1832, depicts King William IV boldly riding atop a wild, rearing horse labeled "Reform." The image, sourced from Fine Art Finder through Doyle, is a mesmerizing representation of the political turmoil and upheaval of the era. Add this stunning work of art to your collection and bring a piece of historical intrigue into your home or office. With our high-quality fine art prints, you'll enjoy the beauty and detail of this iconic image for years to come.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 36.5cm (20" x 14.4")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > John (1797-1868) (after) Doyle

> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Arts > Art Movements > Romanticism

> Arts > Artists > B > Joseph Byron

> Arts > Artists > D > John Doyle

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
The engraving titled "Mazeppa - 'Again He Urges on His Wild Career'" is a satirical depiction of King William IV tied to the wild horse of Reform in 1832. Created by John Doyle, this artwork captures the political climate and tensions surrounding parliamentary elections during that time. In this allegorical piece, King William IV is shown as Mazeppa, a legendary figure who was famously tied to a wild horse and forced to endure its uncontrollable gallop. The horse represents the forces of reform sweeping through Great Britain at the time, symbolizing the desire for change and progress. Doyle's satire highlights the struggle between traditional monarchy and democratic ideals. By depicting the king being dragged along by the horse, he criticizes William IV's resistance to political reforms demanded by voters. This engraving was originally published in Joseph Grego's book "A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria" in 1892. It serves as a scathing commentary on electioneering practices and power dynamics within British politics. Through its clever use of symbolism and caricature, this artwork offers insight into both historical events and broader themes such as power struggles, electoral processes, and societal change. It remains an important visual representation of political satire during the early 19th century in Great Britain.

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