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Poster Print : Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

Mazeppa - 'Again He Urges on His Wild Career', satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)



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Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

7148292 Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving) by Doyle, John (H.B.) (1797-1868) (after); Private Collection; (add.info.: Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn

Media ID 24756866

© Look and Learn / Bridgeman Images

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A4 (29.7 x 21cm) Poster Print

Add a touch of historical satire to your space with the Media Storehouse range of poster prints featuring the iconic image of "Mazeppa - 'Again He Urges on His Wild Career'" by Bridgeman Images from Fine Art Finder. This engraving, created in 1832 by Doyle, captures the satirical depiction of King William IV tied to the wild horse of Reform. This captivating print is a must-have for history enthusiasts and art collectors, bringing a bold and thought-provoking statement to any room. Order yours today and join the conversation on the fascinating history of the 19th century.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > John (1797-1868) (after) Doyle

> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Arts > Art Movements > Romanticism

> Arts > Artists > B > Joseph Byron

> Arts > Artists > D > John Doyle

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
The engraving titled "Mazeppa - 'Again He Urges on His Wild Career'" is a satirical depiction of King William IV tied to the wild horse of Reform in 1832. Created by John Doyle, this artwork captures the political climate and tensions surrounding parliamentary elections during that time. In this allegorical piece, King William IV is shown as Mazeppa, a legendary figure who was famously tied to a wild horse and forced to endure its uncontrollable gallop. The horse represents the forces of reform sweeping through Great Britain at the time, symbolizing the desire for change and progress. Doyle's satire highlights the struggle between traditional monarchy and democratic ideals. By depicting the king being dragged along by the horse, he criticizes William IV's resistance to political reforms demanded by voters. This engraving was originally published in Joseph Grego's book "A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria" in 1892. It serves as a scathing commentary on electioneering practices and power dynamics within British politics. Through its clever use of symbolism and caricature, this artwork offers insight into both historical events and broader themes such as power struggles, electoral processes, and societal change. It remains an important visual representation of political satire during the early 19th century in Great Britain.

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