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Framed Print : Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

Mazeppa - 'Again He Urges on His Wild Career', satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)



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Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

7148292 Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving) by Doyle, John (H.B.) (1797-1868) (after); Private Collection; (add.info.: Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn

Media ID 24756866

© Look and Learn / Bridgeman Images

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A2 Premium Frame with A3 Poster

Experience the captivating allure of history with our Framed Print of "Mazeppa - 'Again He Urges on His Wild Career'" by Bridgeman Images from Fine Art Finder. This engraving, dating back to 1832, offers a satirical take on King William IV's reign, depicting him tied to the wild horse of Reform. Add this stunning piece to your home or office to ignite intriguing conversations and elevate your decor. The high-quality print is expertly framed to preserve its beauty and authenticity, making it a cherished addition to any art collection. Embrace the rich history and wit of this iconic image with our Framed Print from Media Storehouse.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > John (1797-1868) (after) Doyle

> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Arts > Art Movements > Romanticism

> Arts > Artists > B > Joseph Byron

> Arts > Artists > D > John Doyle

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
The engraving titled "Mazeppa - 'Again He Urges on His Wild Career'" is a satirical depiction of King William IV tied to the wild horse of Reform in 1832. Created by John Doyle, this artwork captures the political climate and tensions surrounding parliamentary elections during that time. In this allegorical piece, King William IV is shown as Mazeppa, a legendary figure who was famously tied to a wild horse and forced to endure its uncontrollable gallop. The horse represents the forces of reform sweeping through Great Britain at the time, symbolizing the desire for change and progress. Doyle's satire highlights the struggle between traditional monarchy and democratic ideals. By depicting the king being dragged along by the horse, he criticizes William IV's resistance to political reforms demanded by voters. This engraving was originally published in Joseph Grego's book "A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria" in 1892. It serves as a scathing commentary on electioneering practices and power dynamics within British politics. Through its clever use of symbolism and caricature, this artwork offers insight into both historical events and broader themes such as power struggles, electoral processes, and societal change. It remains an important visual representation of political satire during the early 19th century in Great Britain.

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