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Metal Print : Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

Mazeppa - 'Again He Urges on His Wild Career', satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)



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Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving)

7148292 Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving) by Doyle, John (H.B.) (1797-1868) (after); Private Collection; (add.info.: Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn

Media ID 24756866

© Look and Learn / Bridgeman Images

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10"x8" (25x20cm) Table Top Metal Print

Experience the thrill of historical satire with our Media Storehouse Metal Print featuring the iconic image "Mazeppa - 'Again He Urges on His Wild Career'" by Bridgeman Images. This engraving, originally published in 1832, depicts King William IV tied to a wild horse representing the Reform movement. Add a touch of wit and history to your space with this stunning metal print, expertly crafted to bring out the intricate details of this satirical masterpiece. Each print is individually printed and coated with a protective layer to ensure vibrant colors and long-lasting durability. Order yours today and join the ride of Reform!

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > John (1797-1868) (after) Doyle

> Animals > Farm > Horses > Shire Horse

> Animals > Farm > Related Images

> Animals > Mammals > Horse > Shire

> Arts > Art Movements > Romanticism

> Arts > Artists > B > Joseph Byron

> Arts > Artists > D > John Doyle

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White


EDITORS COMMENTS
The engraving titled "Mazeppa - 'Again He Urges on His Wild Career'" is a satirical depiction of King William IV tied to the wild horse of Reform in 1832. Created by John Doyle, this artwork captures the political climate and tensions surrounding parliamentary elections during that time. In this allegorical piece, King William IV is shown as Mazeppa, a legendary figure who was famously tied to a wild horse and forced to endure its uncontrollable gallop. The horse represents the forces of reform sweeping through Great Britain at the time, symbolizing the desire for change and progress. Doyle's satire highlights the struggle between traditional monarchy and democratic ideals. By depicting the king being dragged along by the horse, he criticizes William IV's resistance to political reforms demanded by voters. This engraving was originally published in Joseph Grego's book "A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria" in 1892. It serves as a scathing commentary on electioneering practices and power dynamics within British politics. Through its clever use of symbolism and caricature, this artwork offers insight into both historical events and broader themes such as power struggles, electoral processes, and societal change. It remains an important visual representation of political satire during the early 19th century in Great Britain.

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