Caroline Collection (page 6)

Inset circular portrait photograph of Miss Marie Studholme (Caroline Maria Lupton) (1872-1930) - English actress and singer known for her supporting and sometimes starring roles in Victorian

The steam yacht Caroline, 1912. Creator: Kirk & Sons of Cowes
The steam yacht Caroline, 1912

Marie-Annunciade-Caroline Bonaparte, c1810, (1896). Artist: AE Anderson
Marie-Annunciade-Caroline Bonaparte, wife of Joachim Murat; Queen of Naples, Countess Lipona; and her children, Achille, Laetitia, Lucien and Louise, c1810, (1896)

State Bedstead made for George, Prince of Wales, 1927. Artists: Edward F Strange, Unknown
State Bedstead made for George, Prince of Wales, 1927. Bed of George II and Caroline, Prince and Princess of Wales, ca. 1715, displayed in the Queens State Bedchamber at Hampton Court Palace

The C-r-l-e Column, 1821. Artist: John Baker
The C-r-l-e Column, 1821.Queen Caroline (depicted non-satirically) wearing Bergamis miniature stands on the columns summit

Plan of Kensington Palace and gardens, London, 1736. The gardens were laid out between 1728 and 1738 by Henry Wise and Charles Bridgeman for Queen Caroline

Triumphal arch on the west end of Westminster Hall, London, 1761. The arch was erected for the coronation of George II and Queen Caroline, on 11th October 1727

A companion to the Q-ns ass... 1821
A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)

Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile

An Irish wake... 1821
An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh

Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Monument to Queen Caroline, consort of George II, Westminster Abbey, London, 1737
Monument to Queen Caroline, consort of George II, Henry VIIs Chapel, Westminster Abbey, London, 1737

Carlton House, Westminster, London, 1821. Artist: J Sidgwick
Carlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd

Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. Artist: F Vincent
Scene on the Thames at Brandenburgh House, Hammersmith, London, 1820. The Watermen and Lightermen of the River Thames and parishioners of St Saviour

Indelicate Investigation or the Spying D-glass s, 1813. Artist: George Cruikshank
Indelicate Investigation or the Spying D-glass s, 1813. Lady Douglas and her husband kneel on the floor, peering through spyglasses at the Princess of Wales lying on a sofa

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

Brandenburgh House, Hammersmith, London, 1820 (1821). View of Brandenburgh House during the addresses declaring loyalty to Queen Caroline during the governmental attempts to deprive her of her title

Honi soit qui mal y pense, 1821. A crowd gazing at prints in Humphreys shop window. All the prints are careful copies from the series published by Humphrey attacking Queen Caroline

Caroline, Consort of George IV, 1820. Artist: C Dyer
Caroline, Queen Consort of George IV, 1820, as she appeared at the balcony at Alderman Matthew Woods on her arrival in London

Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery

A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised

The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood

The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper

The coronation procession of King George II, October 1727, (c1727). The various members of the royal procession are shown in five strips with text identifying them

View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Artist
View of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to

Queen Caroline travelling to St Pauls Cathedral, London, 20th November 1820 (1821). Panoramic view of Caroline, Queen Consort of George IV travelling in state to St Pauls Cathedral to give thanks for

How to get un-married, ay, theres the rub!, 1820. Artist: JL Marks
How to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is

The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by

King Henry VIII, act II, scene iv, c1820. Artist
King Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon

Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness

St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

Anticipations for the Pillory, 1813. A pillory stands on a scaffold in Chesterfield Walk outside Montague House, Blackheath, residence of the Princess of Wales

Alderman Sir Matthew Wood and King George IV
The Modern Belshazzers Feast; Alderman Sir Matthew Wood presents an envelope marked the Queens letter to the Prince Regents dinner table which falls into disarray

Caroline of Brunswick, Consort of George IV, 1820. Artist: James Lonsdale
Portrait of Caroline of Brunswick, Consort of George IV, 1820. She holds a letter and wears a blue velvet empire line dress

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"Caroline: A Tale of Adventure, Radio Waves, and Historic Treasures" Once upon a time on the Essex coast, there stood a legendary Pirate Radio ship named Caroline. It sailed the waves with rebellious fervor, broadcasting music and spreading joy to all who tuned in. In an unexpected twist, even the Cub Scouts took part in Operation Shoeshine aboard Caroline. With their enthusiasm and determination, they kept the decks shining bright as they danced to the rhythm of their favorite tunes. Nearby, nestled amidst picturesque landscapes was the Licensed Victuallers Asylum - a place where weary souls found solace and comfort. Little did they know that Caroline's melodies reached them too, bringing smiles to their faces as they reminisced about days gone by. Across the ocean in America, JFK and his family would often tune into Radio Caroline for some musical respite from their hectic lives. The sounds of Money by The Rolling Stones filled their hearts with joy as they swayed along to its catchy beat. Meanwhile in Edinburgh's enchanting corners lay hidden gems like Caroline Park and ruins of Granton Castle - remnants of history waiting to be explored. In East Pilton's vibrant streets echoed tales of resilience and community spirit that resonated with Caroline's own story. Amidst it all stood G. Humphrey's Caricature Shop at 27 St. James Street - a hub for laughter and satire where locals gathered to find amusement within its walls adorned with Honi Soi Qui Mal Y Pense insignia. But beyond these colorful anecdotes lies another side of Caroline; one intertwined with intriguing characters such as Kitchener's Valet - whose secrets whispered through time still captivate our imagination today. In gardens across distant lands bloomed Nerium oleander or simply Nerium - a flower both beautiful yet poisonous just like life itself; reminding us that beauty can sometimes hide danger beneath its petals.