Joseph Collection (page 100)

Rival Rogues, 1880. Artist: Joseph Swain
Rival Rogues, 1880. Mr Punch faces the twin candidates for the Conservative and Liberal Parties. This is in relation to the first Election Commission following the 1880 General Election which opened

Dr. Birch and His Young Friends, 1880. Artist: Joseph Swain
Dr. Birch and His Young Friends, 1880. Sir William Harcourt, the Liberal Home Secretary, prepares a birch labelled Juvenile Offenders Act

A Holiday Task, 1880. Artist: Joseph Swain
A Holiday Task, 1880. A bewhiskered aristocrat is handed a broom by Mr Punch and told to begin cleaning up. Great pieces of the inner cities were owned by the aristocracy

Unavoidably Delayed, 1880. Artist: Joseph Swain
Unavoidably Delayed, 1880. An exhausted Member of Parliament, wearing the suit usually depicted in Punch adorning the figure of the Liberal Prime Minister, Gladstone, and carrying a Gladstone bag

Hares Skins! Rabbists Skins!, 1880. Artist: Joseph Swain
Hares Skins! Rabbists Skins!, 1880. Sir William Harcourt, the Liberal Home Secretary, is depicted trying to sell his hare and rabbit skins, whilst the former Prime Minister

The School (Board) Match, 1873. Artist: Joseph Swain
The School (Board) Match, 1873. Various nonconformist factions are involved in the School (Board) Match being umpired by Mr William Forster

Conscience makes Cowards!, 1873. Artist: Joseph Swain
Conscience makes Cowards!, 1873. Mr Punch confronts a railway director. The director is emphatic that he would not imperil the lives of his wife

Between Two Terrors, 1873. Artist: Joseph Swain
Between Two Terrors, 1873. (White and Red). Louis Adolphe Thiers, the first President of the Third Republic, is being embraced by a pleading France

Souvenir de Folkestone (Arrival of the Boulogne Boat), 1873. Artist: Joseph Swain
Souvenir de Folkestone (Arrival of the Boulogne Boat), 1873. The boat from Boulogne brings French citizens escaping from the troubles of France. From Punch, or the London Charivari, October 11, 1873

A Friend in Need, 1873. Artist: Joseph Swain
A Friend in Need, 1873. Mr Gladstone is seen here with John Bright. In the background, an African man, dressed in skins and feathers is nonetheless armed with a very modern rifle

Au Revoir, 1873. Artist: Joseph Swain
Au Revoir, 1873. Germany, carrying a bag stuffed with cash, says farewell to France. A defiant France insists it is not farewell, just au revoir

Self and Partner, 1873. Artist: Joseph Swain
Self and Partner, 1873. Mr Gladstone, Liberal Prime Minister, shakes hands warmly with Mr Gladstone, Chancellor of the Exchequer

Pilgrims and Pilgrims, 1873. Artist: Joseph Swain
Pilgrims and Pilgrims, 1873. A nattily dressed modern pilgrim casually lights a cigar as he talks about the perils of pilgrimage with the Ancient Pilgrim, dressed in the clothes of the past

The Old, Old Tune, 1873. Artist: Joseph Swain
The Old, Old Tune, 1873. Prince Alfred serenades his bride to be. Her Russian ancestry is illustrated in the two bears on the crest beneath her windowsill

The Liberation Society, 1873. Artist: Joseph Swain
The Liberation Society, 1873. The Archbishops of York and Canterbury carry a scroll entitled Auricular Confession. Behind them, Edward Miall thanks them for their support

Persia Won!, 1873. Artist: Joseph Swain
Persia Won!, 1873. Britannia says farewell to the Shah of Persia (now Iran) after his successful visit to Britain. It was believed that whilst good relations were maintained with Persia

Will He Clear It?, 1873. Artist: Joseph Swain
Will He Clear It?, 1873. The horse being ridden by Liberal Prime Minister, Mr Gladstone, approaches the stone wall entitled Irish Education

Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph Swain
Feline Friends; or, The British Lion and the Persian Chat!, 1873. The Russian Bear is shackled in the background as the Persian Pussycat cuddles up to the great British Lion

The Ugly Duckling, 1873. Artist: Joseph Swain
The Ugly Duckling, 1873. Britannia and Neptune watch one of the new iron-clad ships Devastation leave port. Such ships were armed with giant guns

The Great Self-Taxed, 1873. Artist: Joseph Swain
The Great Self-Taxed, 1873. The Liberal Chancellor of the Exchequer, Robert Lowe, makes off with a sack labelled Surplus £ 5, 000, 000

Come a Cropper!, 1873. Artist: Joseph Swain
Come a Cropper!, 1873. Mr Gladstone, the Liberal Prime Minister, stands beside his fallen steed, as a bunch of assorted Irish priests and peasants shuffle off

The Coffin-Ships, 1873. Artist: Joseph Swain
The Coffin-Ships, 1873. Jack Tar is embraced by his lover as he prepares to board his ship. This relates to recent agitation on the part of Samuel Plimsoll for a Royal Commission into the condition

The Hampton Hydra, 1873. Artist: Joseph Swain
The Hampton Hydra, 1873. Lord Salisbury faces up to the Hampton Hydra. From Punch, or the London Charivari, March 8, 1873

The True Hidalgo, 1873. Artist: Joseph Swain
The True Hidalgo, 1873. King Amadeus remarks to the crowd A Gentleman, and a Son of Savoy, will not Reign on Sufferance! King Amadeus of Spain is seen throwing his crown to the mob

Little Gulliver, 1873. Artist: Joseph Swain
Little Gulliver, 1873. Gulliver exclaims Make your Game, my Little Men! It Amuses you, and it won t Hinder me In the guise of Gulliver, this shows the first president of Frances Third Republic

Mrs Taffys Elixir, 1873. Artist: Joseph Swain
Mrs Taffys Elixir, 1873. The Union representative in the centre is told that, had the workers had a vote, they would not have voted to strike

Sweet Girl-Graduates... Afternoon Tea Versus Wine, 1872. Artist: Joseph Swain
Sweet Girl-Graduates... Afternoon Tea Versus Wine, 1872. The ladies, all of whom look very studious, drink tea, whilst the men would prefer a beer. A man leaning on the piano stares into space

A Sop to Cerberus, 1872. Artist: Joseph Swain
A Sop to Cerberus, 1872. This cartoon shows Louis Adolphe Thiers, the first president of the Third Republic, and Leon Gambetta, the deputy for Marseilles

My Old Friend Homer, 1872. Artist: Joseph Swain
My Old Friend Homer, 1872. Mr Gladstone, the Liberal Prime Minister, was known to read Homer regularly, and here, the ghost of the great man has come to ask Gladstone how he could allow his authority

Pro Ar(e)is Et Focis, 1872. Artist: Joseph Swain
Pro Ar(e)is Et Focis, 1872. A disgusted housemaid shuts the gate to the basement kitchen to the local bobby. There had been a rash of strikes during the year including bakers and carpenters

Humble Pie, 1872. Artist: Joseph Swain
Humble Pie, 1872. Mr Bull, the representative of the British people, is presented with a second humble pie by Mr Gladstone in his waiters outfit

Strike Home!, 1872. Artist: Joseph Swain
Strike Home!, 1872. The baker is on strike and the British worker wonders where he will get his dinner from. This relates to the strike amongst bakers which followed hard on the heels of

The Loving Cup, 1872. Artist: Joseph Swain
The Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War

Jeddo and Belfast; or, a Puzzle for Japan, 1872. Artist: Joseph Swain
Jeddo and Belfast; or, a Puzzle for Japan, 1872. The Archbishop of Canterbury greets the Japanese Ambassador. The Ambassador

A Good Beginning 1872. Artist: Joseph Swain
A Good Beginning.. 1872. The new Ballot Bill had recently been passed into law and here Britannia drops a slight curtsey to the lanky figure of the Ballot. The man to the left is Hugh Childers

Injured Innocence, 1872. Artist: Joseph Swain
Injured Innocence, 1872. Germany reels at the headline in the newspaper confirming the amount of money that France has raised to pay off her war indemnity

Adolphe the Alchemist, 1872. Artist: Joseph Swain
Adolphe the Alchemist, 1872. France kneels next to the alchemist, who is producing cash from his brew. Adolphe is Louis Adolphe Thiers, the first President of the Third Republic

Prosperous John, 1872. Artist: Joseph Swain
Prosperous John, 1872. John Bull is the representative of the British people and the people are being raided of their earnings through income tax. He also represents the national purse

That Ballot-Boy Again!, 1872. Artist: Joseph Swain
That Ballot-Boy Again!, 1872. The Ballot Bill stands up to the House of Lords. This relates to the Ballot Bills passage through the Lords in June 1872. Two amendments had been made

Come to Grief, 1872. Artist: Joseph Swain
Come to Grief, 1872. A distressed Ballot Bill makes his way from the House of Lords, hotly pursued by the peers. This relates to the Ballot Bills passage through the Lords in June 1872

The Men of Business, 1872. Artist: Joseph Swain
The Men of Business, 1872. Columbia and Britannia discuss the differences between America and Britain. In the background the representatives of the two administrations sort out the details

A Ladies Race, 1872. Artist: Joseph Swain
A Ladies Race, 1872. A ladies race fails to get under way as the female riders cannot stop gossiping. Punch regularly poked fun at women trying their poor best to participate in the sport of men

Under the Dark Blue Waters, 1872. Artist: Joseph Swain
Under the Dark Blue Waters, 1872. Father Neptune wishes to relax with his drink and a pipe. In front of him is the trans-Atlantic cable, the first of its kind

Another Empty Weapon, 1872. Artist: Joseph Swain
Another Empty Weapon, 1872. The notorious Republican, Sir Charles Dilke, is apprehended by a tall and manly Policeman Gladstone

Out of the Question, 1872. Artist: Joseph Swain
Out of the Question, 1872. The Butler, Mr Gladstone, considers giving notice to Britannia. She refuses to allow him to go until the Alabama Claim being pursued by America is settled

Odd-Handed Justice, 1872. Artist: Joseph Swain
Odd-Handed Justice, 1872. Two ruffians discuss their sentences, whilst Policeman A1 stands on guard. This relates to the recent criticisms being levelled at the inequality in sentences being handed

Jeremy Diddlowe, 1872. Artist: Joseph Swain
Jeremy Diddlowe, 1872. Robert Lowe, Gladstones Chancellor of the Exchequer, is depicted as Jeremy Diddlowe. He is presenting John Bull, the representative of the British people, with twopence

Yankee Doodle, 1872. Artist: Joseph Swain
Yankee Doodle, 1872. America rides into Geneva on a spotted circus horse with Mr Punch heckling in the background. This cartoon relates to a matter that had been going on since the end of

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"Joseph: A Journey Through Art, History, and Legends" Step into the world of Joseph, a name that echoes through time with various meanings and stories. From St. Joseph of Cupertino's miraculous levitation to the enchanting Garden of Eden depicted by Hugh Goldwin Riviere in 1901, Joseph captivates our imagination. In the snowy silence captured by Joseph Farquharson in 1907, we find solace and tranquility. Meanwhile, Briton Riviere's portrayal of Daniel in the Lions Den from 1872 transports us back to biblical times filled with courage and faith. Beeston Castle stands tall in Cheshire as a testament to history's resilience while J. M. W Turner's Rain, Steam an. .