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Metal Print : Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)

Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)



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Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)

1199477 Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 33x21 cm; Private Collection; Photo eChristies Images; English, out of copyright

Media ID 23693086

© Christie's Images / Bridgeman Images

1880s 1885 Arm Resting Bare Bare Chested Barechested Burne Jones Burne Jones Edward 1833 98 Chest Edward Burne Jones Edward Coley Burne Jones English Art English Artist Etude Hands Clasped Leaning On Elbow Men Only Pencil Pencil Drawing Pencil On Paper Pre Raphaelite Art Raphaelite Sir Edward Burne Jones Sir Edward Coley Burne Jones Skin Studies Victorian Art Young Man Young Men Artist British British Artist Pre Raphaelite


14"x11" (28x35cm) Metal Print

Bring the captivating artistry of Edward Coley Burne-Jones' Study of Two Male Nudes for Arthur in Avalon to your home with our Media Storehouse Metal Prints. This exquisite pencil drawing, originally from Bridgeman Images at Fine Art Finder, showcases Burne-Jones' masterful use of line and form in capturing the essence of mythological figures. Our high-quality metal prints are vibrant, waterproof, and scratch-resistant, ensuring your artwork remains a stunning centerpiece for years to come. Experience the allure of this iconic work of art in a new and modern way with Media Storehouse.

Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > French School

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > Y > Art Young

> Arts > Realistic drawings > Pencil drawings > Fine art


EDITORS COMMENTS
This print showcases Burne-Jones' "Study of two male nudes for Arthur in Avalon" from 1885. The pencil on paper artwork, measuring 33x21 cm, is a remarkable example of British art from the late nineteenth century. In this piece, we witness the artist's mastery in capturing the human form with exquisite detail and sensitivity. The two young men depicted here are presented in a front view, their bare chests and bodies exposed. One man leans on his elbow while resting his arm, exuding an air of contemplation and poise. The other stands beside him with hands clasped together, displaying a sense of youthful energy. Burne-Jones' pre-Raphaelite style is evident in this drawing as he pays meticulous attention to every line and shadow. His skillful use of pencil creates a stunning representation of these figures' skin tones and postures. As we delve into this artwork, it becomes apparent that it serves as an essential study for Burne-Jones' larger work titled "Arthur in Avalon". This piece offers us insight into the artist's creative process and allows us to appreciate the depth of his artistic vision. With its timeless beauty and historical significance, this image transports us back to Victorian England where art was used to explore themes such as masculinity, mythology, and human connection. It is truly a testament to Burne-Jones' talent as both painter and draftsman.

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