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Mouse Mat : Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving)
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Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving)
7234801 Two red-coat soldiers running off with a tailors wife, Georgian, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Two red-coat soldiers running off with a tailors wife, Georgian era. The soldiers use their muskets and bayonets to hold off the angry tailor Twist, who is armed only with scissors, and blacksmith with hammer. Recruiting. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25210620
© Florilegius / Bridgeman Images
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving from the Georgian era depicts a scandalous scene that unfolds in 1831 England. Two red-coat soldiers, their military uniforms boldly contrasting against the backdrop of everyday life, are seen running off with a tailor's wife. The soldiers cleverly employ their muskets and bayonets to fend off the enraged tailor Twist, armed only with scissors, and a blacksmith wielding a hammer. The satirical drawing captures not just an act of seduction but also serves as a biting commentary on society's customs and norms. It mocks the population's fascination with love affairs and exposes the hypocrisy prevalent during this time period. Rendered in handcoloured wood engraving by Thomas Rowlandson after his own illustration, this artwork is part of W. H. Harrison's "The Humourist" which was intended as entertainment for Christmas gatherings around London. Through its intricate details and vibrant colors, this print transports us back to 19th century England—a world filled with love triangles, societal expectations, and scandalous escapades. It reminds us that even in historical times long past, human emotions such as desire and betrayal remain universal themes. As we gaze upon this image captured by Bridgeman Images' Fine Art Finder collection, we are reminded of how art has always been an avenue for expressing social commentary—revealing both our shared humanity across centuries while shedding light on our ever-evolving cultural landscape.
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