Poster Print : The Number of the Beast. Apocalypse of Angers
Poster Prints from Mary Evans Picture Library
The Number of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Number of the Beast. 1375 - 1382. Fifth scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou, after cartons attributed to Jean de Bruges (fl. 1368-1381). International gothic. Tapestry. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Angers Castle
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14181589
© Paul Maeyaert/Iberfoto/Mary Evans
1368 1375 1381 1382 Angers Anjou Apocalypse Arts Attributed Bataille Beast Bruges Cartons Commissioned Fabric Fabrics Loire Maine Nicolas Pays Tapestries Tapestry Textile Textiles 14th
A4 (29.7 x 21cm) Poster Print
Introducing the Media Storehouse range of Poster Prints featuring "The Number of the Beast" from the Apocalypse of Angers tapestry series. This captivating image, dating back to the 14th century, is a masterpiece by the enigmatic French monk and philosopher Nicolas de Châteauroux, also known as Nicolas Bataille. Commissioned by Louis I, Duke of Anjou, this fifth scene from the series depicts the terrifying figure of the Beast, an iconic representation of evil and the apocalypse. Bring the mystique and history of the Middle Ages into your home or office with this stunning, high-quality poster print. A perfect addition to any art collection or study of medieval art and religion.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Image Size (if not cropped) is 30.3cm x 20cm (11.9" x 7.9")
Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
The Number of the Beast" is the fifth scene of the Apocalypse of Angers tapestry series, created between 1375 and 1382 in the Pays de la Loire region of France. Commissioned by Louis I, Duke of Anjou, the tapestry is attributed to the cartons of Jean de Bruges, a Flemish artist active between 1368 and 1381. This masterpiece of International Gothic art is now housed in Angers Castle. The scene depicts the opening of the fifth seal of the Apocalypse, revealing a figure on a white horse with a bow and a crown of thorns. The number 666, the Number of the Beast, appears on the chest of the rider, signifying the arrival of the Antichrist. The scene is rich in symbolism and detail, with the figure of Christ in the upper left corner, holding a lamb and surrounded by angels, and the figure of Death riding a white horse in the lower right corner. The tapestry is made of wool and silk, with intricate designs and vivid colors that bring the biblical story to life. The horizontal composition and the use of color create a dynamic and engaging visual experience. This masterpiece of medieval art is a testament to the artistic and cultural achievements of the Western world during the Middle Ages, and a reminder of the enduring power of textiles as a decorative art form. The Apocalypse of Angers tapestry series is a unique and valuable contribution to the history of art and textiles, and a must-see for anyone interested in the Middle Ages, Western art, or textile history. The intricate designs, vivid colors, and rich symbolism of this tapestry continue to captivate and inspire viewers, making it a true masterpiece of the Middle Ages.
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