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Mozambique in Africa, 1645 (engraving)
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Mozambique in Africa, 1645 (engraving)
AIS5368589 Mozambique in Africa, 1645 (engraving) by Blaeu, Willem (1571-1638); Biblioteca de Catalunya, Barcelona, Spain; (add.info.: Detail of a world map in " Le Theatre du Monde " by Willem Janszoon Blaeu (1571-1638), 1645. Barcelona, Library of Catalonia.); © Iberfoto
Media ID 32105148
© Iberfoto / Bridgeman Images
17th Centuries Africa African African Cartography Geographer Mozambique Unpopulated Without People 17 17th 17th 17th Xvii 18th Century Afica Afric Circa 1600 Early 17th Century Early Xvii Century Seventeeth Century Without Anyone
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EDITORS COMMENTS
This engraving, titled "Mozambique in Africa, 1645" takes us back to the 17th century and offers a glimpse into the world of cartography during that time. Created by Willem Blaeu, a renowned geographer and engraver, this print is part of his famous work "Le Theatre du Monde". The image showcases a detailed map of Mozambique, an African country rich in history and culture. The vibrant colors used in this engraving bring life to the landscape, highlighting its geographical features with precision. As we observe this piece closely, it becomes evident that it was meticulously crafted by Blaeu's skilled hand. Every line and contour on the map reflects his dedication to accuracy and attention to detail. What makes this particular print intriguing is its depiction of Mozambique without any human presence. It allows us to appreciate the natural beauty of the land before colonization or modern development took place. This unpopulated portrayal gives us a unique perspective on how Mozambique may have appeared centuries ago. Preserved within the Biblioteca de Catalunya in Barcelona, Spain, this artwork serves as both a historical artifact and an artistic masterpiece. Its significance lies not only in its representation of Mozambique but also in its contribution to our understanding of early cartography. In conclusion, "Mozambique in Africa, 1645" transports us back through time while showcasing Blaeu's mastery as an engraver. It invites contemplation about our ever-changing world and reminds
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