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Fine Art Print : Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum



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Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum, a new series of studies by Edmund Blampied. A charity concert and In the backwoods of Kennington - the lodger. Date: 1933

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23456370

© Estate of Edmund Blampied/ILN/Mary Evans

1933 Banjo Blampied Charity Classes Concert Differences Edmund Jun21 Kennington Lodger Performance Private Singer Singing Spectrum Studies Backwoods Upper


21"x14" (+3" Border) Fine Art Print

Experience the captivating beauty of nature through the exquisite Fine Art Prints from Media Storehouse, featuring the works of Edmund Blampied. In this enchanting series, "Leaves from life: two types of music from either end of the social spectrum," Blampied invites us to explore the intricacies of leaves, drawing inspiration from both a charity concert and the rustic backwoods of Kennington. These evocative prints, available through Rights managed from Mary Evans Prints Online, offer a glimpse into the rich tapestry of life, showcasing the artist's masterful use of color and form. Elevate your home or office space with these timeless, fine art treasures.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Realistic drawings > Still life artwork > Fine art

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Leaves from Life - Two Types of Music from Either End of the Social Spectrum

EDITORS COMMENTS
is a captivating series of studies by renowned New Zealand artist Edmund Blampied, showcasing two contrasting musical performances that reflect the diverse social fabric of 1930s society. In this evocative image, we witness the stark contrast between a charity concert, an event attended by the upper classes, and a private performance in the backwoods of Kennington, where a lodger strums a banjo. The first scene captures the grandeur and elegance of a charity concert, with a lady in a stunning gown and a man in formal attire, both intently listening to a female singer's classical performance. The interior of the public space is adorned with opulent decor, highlighting the refined atmosphere that exudes an air of sophistication and wealth. In stark contrast, the second scene transports us to a humble room in the backwoods of Kennington, where a man, identified as the lodger, plays a banjo in a simple, rustic setting. The interior is sparse, and the man's attire is workmanlike, emphasizing his humble origins. The informal setting and the raw, earthy sound of the banjo create a stark contrast to the polished, classical performance in the charity concert. Blampied's "Leaves from Life" series offers a poignant commentary on the class differences that permeated society during the 1930s. Through these two contrasting scenes, the artist invites us to reflect on the diverse musical traditions and the social divide that existed between the upper and working classes during this era. This evocative image is a testament to Blampied's keen observation of the human condition and his ability to capture the essence of life's rich tapestry.

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