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Framed Print : Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum



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Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum, a new series of studies by Edmund Blampied. A charity concert and In the backwoods of Kennington - the lodger. Date: 1933

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23456370

© Estate of Edmund Blampied/ILN/Mary Evans

1933 Banjo Blampied Charity Classes Concert Differences Edmund Jun21 Kennington Lodger Performance Private Singer Singing Spectrum Studies Backwoods Upper


A2 Premium Frame with A3 Poster

Experience the captivating contrasts of music and society with our Framed Prints from Media Storehouse, featuring the evocative artwork "Leaves from life: two types of music from either end of the social spectrum" by Edmund Blampied. These exquisite prints, sourced from Mary Evans Prints Online, transport you to a bygone era with their charming depiction of a charity concert and the backwoods of Kennington - the lodger. Each print is expertly framed to enhance the intricate details and vibrant colors of Blampied's brushstrokes, making them a stunning addition to any home or office space. Immerse yourself in the rich history of music and social class, and bring timeless beauty into your daily life with our Framed Prints.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 44.6cm x 62cm (17.6" x 24.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Realistic drawings > Still life artwork > Fine art

> Mary Evans Prints Online > New Images August 2021


Leaves from Life - Two Types of Music from Either End of the Social Spectrum

EDITORS COMMENTS
is a captivating series of studies by renowned New Zealand artist Edmund Blampied, showcasing two contrasting musical performances that reflect the diverse social fabric of 1930s society. In this evocative image, we witness the stark contrast between a charity concert, an event attended by the upper classes, and a private performance in the backwoods of Kennington, where a lodger strums a banjo. The first scene captures the grandeur and elegance of a charity concert, with a lady in a stunning gown and a man in formal attire, both intently listening to a female singer's classical performance. The interior of the public space is adorned with opulent decor, highlighting the refined atmosphere that exudes an air of sophistication and wealth. In stark contrast, the second scene transports us to a humble room in the backwoods of Kennington, where a man, identified as the lodger, plays a banjo in a simple, rustic setting. The interior is sparse, and the man's attire is workmanlike, emphasizing his humble origins. The informal setting and the raw, earthy sound of the banjo create a stark contrast to the polished, classical performance in the charity concert. Blampied's "Leaves from Life" series offers a poignant commentary on the class differences that permeated society during the 1930s. Through these two contrasting scenes, the artist invites us to reflect on the diverse musical traditions and the social divide that existed between the upper and working classes during this era. This evocative image is a testament to Blampied's keen observation of the human condition and his ability to capture the essence of life's rich tapestry.

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