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Photo Mug : Leaves from life: two types of music from either end of the social spectrum
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Leaves from life: two types of music from either end of the social spectrum
Leaves from life: two types of music from either end of the social spectrum, a new series of studies by Edmund Blampied. A charity concert and In the backwoods of Kennington - the lodger. Date: 1933
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Media ID 23456370
© Estate of Edmund Blampied/ILN/Mary Evans
1933 Banjo Blampied Charity Classes Concert Differences Edmund Jun21 Kennington Lodger Performance Private Singer Singing Spectrum Studies Backwoods Upper
Photo Mug
Bring the beauty of nature and the enchanting world of music to your daily routine with our Media Storehouse Photo Mugs. Featuring stunning images from the "Leaves from life: two types of music from either end of the social spectrum" series by Edmund Blampied, available exclusively through Mary Evans Prints Online. These captivating images, dated 1933, depict the charm of a charity concert and the rustic allure of "In the backwoods of Kennington - the lodger." Each mug holds a rich, vibrant representation of these iconic scenes, making every sip a delightful journey through time. Perfect for music lovers or nature enthusiasts, these Photo Mugs are more than just a beverage vessel - they're a work of art that tells a story with every use.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 9.6cm high x 8.1cm diameter (3.8" x 3.2")
These are individually made so all sizes are approximate
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Leaves from Life - Two Types of Music from Either End of the Social Spectrum
EDITORS COMMENTS
is a captivating series of studies by renowned New Zealand artist Edmund Blampied, showcasing two contrasting musical performances that reflect the diverse social fabric of 1930s society. In this evocative image, we witness the stark contrast between a charity concert, an event attended by the upper classes, and a private performance in the backwoods of Kennington, where a lodger strums a banjo. The first scene captures the grandeur and elegance of a charity concert, with a lady in a stunning gown and a man in formal attire, both intently listening to a female singer's classical performance. The interior of the public space is adorned with opulent decor, highlighting the refined atmosphere that exudes an air of sophistication and wealth. In stark contrast, the second scene transports us to a humble room in the backwoods of Kennington, where a man, identified as the lodger, plays a banjo in a simple, rustic setting. The interior is sparse, and the man's attire is workmanlike, emphasizing his humble origins. The informal setting and the raw, earthy sound of the banjo create a stark contrast to the polished, classical performance in the charity concert. Blampied's "Leaves from Life" series offers a poignant commentary on the class differences that permeated society during the 1930s. Through these two contrasting scenes, the artist invites us to reflect on the diverse musical traditions and the social divide that existed between the upper and working classes during this era. This evocative image is a testament to Blampied's keen observation of the human condition and his ability to capture the essence of life's rich tapestry.
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