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Metal Print : Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum



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Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum, a new series of studies by Edmund Blampied. A charity concert and In the backwoods of Kennington - the lodger. Date: 1933

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23456370

© Estate of Edmund Blampied/ILN/Mary Evans

1933 Banjo Blampied Charity Classes Concert Differences Edmund Jun21 Kennington Lodger Performance Private Singer Singing Spectrum Studies Backwoods Upper


14"x11" (28x35cm) Metal Print

Bring the natural beauty of Edmund Blampied's artwork into your home with our Media Storehouse Metal Prints. Featuring two captivating images from the acclaimed British artist, this collection showcases the contrasting worlds of high society and working-class life through the intricate depiction of leaves. The first print, 'Leaves from life: a charity concert,' captures the elegance and refinement of a charity event, while the second, 'Leaves from life: the lodger in the backwoods of Kennington,' portrays the raw, earthy charm of the working-class community. Each Metal Print is sourced from Mary Evans Prints Online and rights-managed, ensuring the highest quality and authenticity. Transform your space with these stunning, vibrant, and thought-provoking pieces that celebrate the richness and diversity of life.

Our Metal Prints feature rounded corners and rear fixings for easy wall mounting. Images are directly printed onto a lightweight, high quality 5mm thick, durable metallic surface for a vivid and vibrant finish. Available in 2 sizes, 28x35cm (14x11) and 50x40cm (20x16). The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 27.9cm x 35.5cm (11" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Arts > Realistic drawings > Still life artwork > Fine art


Leaves from Life - Two Types of Music from Either End of the Social Spectrum

EDITORS COMMENTS
is a captivating series of studies by renowned New Zealand artist Edmund Blampied, showcasing two contrasting musical performances that reflect the diverse social fabric of 1930s society. In this evocative image, we witness the stark contrast between a charity concert, an event attended by the upper classes, and a private performance in the backwoods of Kennington, where a lodger strums a banjo. The first scene captures the grandeur and elegance of a charity concert, with a lady in a stunning gown and a man in formal attire, both intently listening to a female singer's classical performance. The interior of the public space is adorned with opulent decor, highlighting the refined atmosphere that exudes an air of sophistication and wealth. In stark contrast, the second scene transports us to a humble room in the backwoods of Kennington, where a man, identified as the lodger, plays a banjo in a simple, rustic setting. The interior is sparse, and the man's attire is workmanlike, emphasizing his humble origins. The informal setting and the raw, earthy sound of the banjo create a stark contrast to the polished, classical performance in the charity concert. Blampied's "Leaves from Life" series offers a poignant commentary on the class differences that permeated society during the 1930s. Through these two contrasting scenes, the artist invites us to reflect on the diverse musical traditions and the social divide that existed between the upper and working classes during this era. This evocative image is a testament to Blampied's keen observation of the human condition and his ability to capture the essence of life's rich tapestry.

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