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Framed Print : Sopwith Model VIII: Overcutting of strata

Sopwith Model VIII: Overcutting of strata



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Sopwith Model VIII: Overcutting of strata

This model shows overcut strata: when the layers of rock are inclined at a gentler angle than the eroded slope, the resulting vee pattern points uphill. Thomas Sopwith (1803 - 1879) was an eminent geologist and civil engineer who pioneered methods of representing geological features. This set of wooden models were designed to represent geological situations with faults, folds, inclines and strata that were particularly relevant to the mining industry

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14239044

© Mary Evans / Natural History Museum

1803 1879 Block Carved Denudation Denuded Educational Eroded Erosion Erosional Geological Geologist Geology Geomorphology Landform Layered Mining Representation Scientist Slope Sopwith Strata Stratification Stratified Stratigraphical Stratigraphy Studioshot Thomas Sopwith White Background


A2 Premium Frame with A3 Poster

Introducing the latest addition to our Media Storehouse Framed Prints collection: "Sopwith Model VIII: Overcutting of Strata" by Rights Managed from Mary Evans Prints Online. This captivating print showcases the intricate geological phenomenon of overcut strata, where the inclined layers of rock defy the eroded slope, creating a distinctive vee pattern that points uphill. Bring this beautiful and thought-provoking piece to your home or office to ignite conversation and inspire a deeper appreciation for the natural world. Our high-quality frames are designed to preserve and enhance the vibrant colors and details of this print, ensuring a stunning presentation. Order yours today and elevate your space with a touch of science and art.

Premium Paradise Wooden Range A2 Premium Poster Frame (62x45cm) with A3 Poster (42x30cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.4cm x 40.4cm (15.9" x 15.9")

Estimated Product Size is 62cm x 44.6cm (24.4" x 17.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This photograph showcases a Sopwith Model VIII, a wooden geological model created by the renowned 19th century geologist and civil engineer, Thomas Sopwith (1803-1879). The intricately carved model illustrates the geological phenomenon of overcutting of strata, where the layers of rock are inclined at a gentler angle than the eroded slope, resulting in a distinctive vee-shaped pattern that points uphill. Sopwith's models were instrumental in the education and advancement of geology and geomorphology during the Victorian era. They were particularly relevant to the mining industry, providing a three-dimensional representation of complex geological situations, including faults, folds, inclines, and strata. The model, set against a pristine white background, showcases the intricacies of denudation and erosion, with the eroded layers revealing the underlying stratification. The wooden model, with its meticulously carved layers, offers a unique perspective on the historical geological concepts of the 19th century. Thomas Sopwith's pioneering work in geology and geological modeling revolutionized the way geological features were represented and understood. This photograph is a testament to the enduring significance of his work and the continued importance of visual aids in geological education and research.

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