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Virtue Collection (page 3)

"Virtue: A Timeless Quest for Moral Excellence" In the realm of chivalry, three noble knights embarked on a sacred mission

Background imageVirtue Collection: Zeng Shen (So Shin), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Zeng Shen (So Shin), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Zeng Shen (So Shin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Lu Ji (Riku Seki), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Lu Ji (Riku Seki), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Lu Ji (Riku Seki), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Yu Qianlou (Yu Kinro), from the series 'Twenty-four Paragons of Filial Piety in China... c

Yu Qianlou (Yu Kinro), from the series "Twenty-four Paragons of Filial Piety in China... c
Yu Qianlou (Yu Kinro), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Cai Shun (Sai Jun), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Tanzi (Enshi), from the series 'Twenty-four Paragons of Filial Piety in China... c1848/50

Tanzi (Enshi), from the series "Twenty-four Paragons of Filial Piety in China... c1848/50
Tanzi (Enshi), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Zhu Shouchang (Shu Jusho), from the series 'Twenty-four Paragons of Filial Piety in... c. 1848/50

Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in... c. 1848/50
Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Guo Ju (Kaku Kyo), from the series 'Twenty-four Paragons of Filial Piety in China... c. 1848/50

Guo Ju (Kaku Kyo), from the series "Twenty-four Paragons of Filial Piety in China... c. 1848/50
Guo Ju (Kaku Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Madame Tang (To Fujin), from the series 'Twenty-four Paragons of Filial Piety in China... c1848/50

Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China... c1848/50
Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Wang Xiang (O Sho), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Wang Xiang (O Sho), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Wang Xiang (O Sho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Jung You (Chu Yu), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Jung You (Chu Yu), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Jung You (Chu Yu), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Min Ziqian (Bin Shiken), from the series 'Twenty-four Paragons of Filial Piety in China

Min Ziqian (Bin Shiken), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Ding Lan (Tei Ran), from the series 'Twenty-four Paragons of Filial Piety in China...', c. 1848/50

Ding Lan (Tei Ran), from the series "Twenty-four Paragons of Filial Piety in China...", c. 1848/50
Ding Lan (Tei Ran), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Emperor Wen of Han (Kan no Buntei), from the series 'Twenty-four Paragons of Filial... c. 1848/50

Emperor Wen of Han (Kan no Buntei), from the series "Twenty-four Paragons of Filial... c. 1848/50
Emperor Wen of Han (Kan no Buntei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Meng Zong (Mo So), from the series 'Twenty-four Paragons of Filial Piety in...', c. 1848/50

Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in...", c. 1848/50
Meng Zong (Mo So), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Shun the Great (Tai Shun), from the series 'Twenty-four Paragons of Filial Piety in... c. 1848/50

Shun the Great (Tai Shun), from the series "Twenty-four Paragons of Filial Piety in... c. 1848/50
Shun the Great (Tai Shun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Dong Yong (Toei), from the series 'Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843

Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843

Background imageVirtue Collection: Meng Zong (Moso), from the series 'Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843

Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Meng Zong (Moso), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843

Background imageVirtue Collection: Min Ziqian (Binshiken), from the series 'Twenty-four Paragons of Filial Piety as a... c. 1842

Min Ziqian (Binshiken), from the series "Twenty-four Paragons of Filial Piety as a... c. 1842
Min Ziqian (Binshiken), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1842

Background imageVirtue Collection: Dong Yong (Toei), from the series 'Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843

Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Dong Yong (Toei), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843

Background imageVirtue Collection: Huang Xiang (Ko Kyo), from the series 'Twenty-four Paragons of Filial Piety in China... c. 1848/50

Huang Xiang (Ko Kyo), from the series "Twenty-four Paragons of Filial Piety in China... c. 1848/50
Huang Xiang (Ko Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50

Background imageVirtue Collection: Dashun (Taishun), from the series 'Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843

Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for... c. 1843
Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)", c. 1843

Background imageVirtue Collection: Susanna and the Elders, n.d. Creator: Unknown

Susanna and the Elders, n.d. Creator: Unknown
Susanna and the Elders, n.d

Background imageVirtue Collection: The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds... 1491

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds... 1491. Creator: Michael Wolgemut
The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter), 1491

Background imageVirtue Collection: Ignorance and Mercury, n.d. Creator: School of Andrea Mantegna

Ignorance and Mercury, n.d. Creator: School of Andrea Mantegna
Ignorance and Mercury, n.d

Background imageVirtue Collection: Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving)

Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving)
7182256 Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageVirtue Collection: symbol / emblem / icon, fidelity, white dove in flower basket, Germany, 1917

symbol / emblem / icon, fidelity, white dove in flower basket, Germany, 1917, Additional-Rights-Clearences-Not Available Additional-Rights-Clearences-Not Available

Background imageVirtue Collection: Bas-relief of the imperial four-horse chariot inside the Arch of Titus in Rome

Bas-relief of the imperial four-horse chariot inside the Arch of Titus in Rome Rome Roman Forum, Arch of Titus Low Relief, Basrelief Imperial Period, Roman Art, Europe, Ancient Civilization

Background imageVirtue Collection: Tugenbrunnen, monumental fountain in Lorenzer Platz in Nuremberg

Tugenbrunnen, monumental fountain in Lorenzer Platz in Nuremberg. Germany Nuremberg, Lorenzer Platz Monumental Fountain Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageVirtue Collection: The 14th century pulpit by Giovanni Pisano, in the Duomo of Pisa

The 14th century pulpit by Giovanni Pisano, in the Duomo of Pisa. Pisa Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1870 -1890. Date of Artwork:1302-1311

Background imageVirtue Collection: Marble pulpit, by Benedetto da Maiano, in the Church of Santa Croce in Florence

Marble pulpit, by Benedetto da Maiano, in the Church of Santa Croce in Florence Florence Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageVirtue Collection: The Fountain of the Virtues (Tugendbrunnen) in Nuremberg

The Fountain of the Virtues (Tugendbrunnen) in Nuremberg Germany Nuremberg Monumental Fountain Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageVirtue Collection: Relief representing the imperial Quadriga, driven by a Virtus

Relief representing the imperial Quadriga, driven by a Virtus, bearing Titus accompanied by a Victoria who is crowning him; work conserved in the Arch of Titus

Background imageVirtue Collection: Monument of Pope Sisto IV, work in bronze by Antonio del Pollaiolo kept in St.Peter's Museum of

Monument of Pope Sisto IV, work in bronze by Antonio del Pollaiolo kept in St.Peter's Museum of Historical Artistic Treasure, in St.Peter's Basilica

Background imageVirtue Collection: The pulpit of the Cathedral of Pisa, by Giovanni Pisano

The pulpit of the Cathedral of Pisa, by Giovanni Pisano. Pisa Cathedral Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Background imageVirtue Collection: The pulpit of the Cathedral of Pisa, work by Giovanni Pisano

The pulpit of the Cathedral of Pisa, work by Giovanni Pisano. Pisa Cathedral Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Background imageVirtue Collection: Sarcophagus of St. Augustine. Work by Lombardy artists collocated in the Church of St

Sarcophagus of St. Augustine. Work by Lombardy artists collocated in the Church of St. Pietro in Ciel d'Oro in Pavia Pavia Church of St

Background imageVirtue Collection: The niche with the sarcophagus of the laying king, detail of the Monument of the king Ladislao

The niche with the sarcophagus of the laying king, detail of the Monument of the king Ladislao, sculpture preserved in the Church of S. Giovanni a Carbonara in Naples. Naples Church of S

Background imageVirtue Collection: Detail of the Monument to the king of Naples, Ladislao, sculpture preserved in the Church of S

Detail of the Monument to the king of Naples, Ladislao, sculpture preserved in the Church of S. Giovanni a Carbonara in Naples

Background imageVirtue Collection: Monument of the king of Naples, Ladislao, elevated with respect to his sister Giovanna; work by

Monument of the king of Naples, Ladislao, elevated with respect to his sister Giovanna; work by Andrea and Marco da Firenze, preserved in the Church of S. Giovanni a Carbonara in Naples

Background imageVirtue Collection: Fortitude, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of

Fortitude, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Faith, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta

Faith, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Charity, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of

Charity, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Justice, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of

Justice, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Hope, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta

Hope, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Temperance, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of

Temperance, by Bonuccio Pardini, carved panel on the holy water stoup in the Baptistery of Pietrasanta, Versilia Pietrasanta Baptistery Low Relief, Basrelief Late Gothic, Gothic, Middle Ages, Europe

Background imageVirtue Collection: Fortitude, high relief decorating a pillar in the chapel of San Sigismondo in the Malatesta

Fortitude, high relief decorating a pillar in the chapel of San Sigismondo in the Malatesta Temple, Rimini Rimini Malatesta Temple High Relief High Renaissance, Renaissance

Background imageVirtue Collection: Close-up of the altar in the Saint Bartolo Chapel. The sculpture is by Benedetto da Maiano

Close-up of the altar in the Saint Bartolo Chapel. The sculpture is by Benedetto da Maiano and is found in the Church of Saint Augustine, in San Gimignano San Gimignano Church of Saint Augustine, St

Background imageVirtue Collection: Temperance, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa

Temperance, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Statue Mannerism, Renaissance-Baroque styles and periods, Europe



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"Virtue: A Timeless Quest for Moral Excellence" In the realm of chivalry, three noble knights embarked on a sacred mission. "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" depicts their unwavering dedication to virtue as they sought the ultimate symbol of purity. Across time and space, even Cincinnatus was called from his plough to exemplify virtuous leadership. His selflessness in leaving behind his humble farm reminds us that true virtue knows no boundaries. "The Annunciation" captures a moment when Mary's virtuous nature shone through her acceptance of divine destiny. Her humility and faith continue to inspire generations. Through "The Parable of the Talents, " we learn that virtue lies not only in our abilities but also in how we utilize them for the greater good. This timeless lesson urges us to cultivate our talents with purpose and integrity. "Hercules at the Crossroads" portrays a pivotal moment where Hercules faced temptation but chose moral rectitude instead. It serves as a reminder that true virtue requires strength and resilience against life's trials. From Danejohn Hill in Canterbury, Kent, James Baylis Allen immortalized an idyllic landscape where one can find solace amidst nature's beauty—a place where they can flourish undisturbed. John Rogers' masterpiece "The Genius of Poetry Finding Burns at the Plough" celebrates Robert Burns' ability to channel his creativity while laboring humbly. It teaches us that virtue is not confined by occupation or social status—it resides within each individual waiting to be discovered. Engraved within our hearts is Charity—the embodiment of selflessness and compassion towards others. Its depiction reminds us that acts driven by love are among the highest forms humanity can achieve. Lorenzo de Medici's fresco welcomes muses and virtues into Florence—an ode to their transformative power.