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Mouse Mat : Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
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Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
827145 Studies of the Artists Son, Philip, as a young boy, c.1875, c.1875 (pencil) by Burne-Jones, Edward Coley (1833-98); 22.3x17.8 cm; Private Collection; (add.info.: Studies of the Artists Son, Philip, as a young boy, c.1875. Edward Burne-Jones (1833-98). Pencil. 22.3 x 17.8cm.); Photo eChristies Images; English, out of copyright
Media ID 22739240
© Christie's Images / Bridgeman Images
Artists Model Artists Son Background Behaviour Blank Boys Only Burne Jones Burne Jones Edward 1833 98 Copy Space Copyspace Downcast Edward Burne Jones Edward Coley Burne Jones English Art English Artist Etude Ground Heartbroken Human Role Melancholia Melancholy Model Negative Concept Pencil Pencil Drawing Pre Raphaelite Art Raphaelite Side Parting Sir Edward Burne Jones Sir Edward Coley Burne Jones Solemn Studies Temperament Victorian Art White Background 19th Century European Art Artist British British Artist Ethnic Origin Pre Raphaelite Youthful
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of melancholy and heartbreak in "Studies of the Artists Son, Philip, as a young boy". Created by renowned British artist Edward Coley Burne-Jones in 1875, this pencil drawing depicts his own son Philip with an air of sadness that is both poignant and thought-provoking. The close-up composition allows us to focus on the young boy's face, which is filled with solemnity and introspection. Against a white background, Philip's downcast gaze and side parting hair create a sense of vulnerability and innocence. The fine details of the pencil strokes bring out every nuance of emotion on his youthful features. As one delves deeper into this artwork, it becomes evident that Burne-Jones was exploring themes such as childhood sorrow and human temperament within Victorian society. The artist's mastery lies in capturing these complex emotions through the simplicity of pencil lines. In this study, we witness not only Burne-Jones' artistic skill but also his deep connection with his subject matter - his own son. This intimate portrayal invites viewers to empathize with Philip's emotional state while leaving room for personal interpretation. "Studies of the Artists Son, Philip" stands as a testament to Burne-Jones' contribution to Pre-Raphaelite art movement during the late 19th century. It serves as a reminder that even in moments of sadness or despair, beauty can be found within artistry.
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